April 18 1936
All this begins the day a young character by the name of Rupert Salsinger sells Hymie Minsk, the horse player, a pair of shoes that are too tight.
This Rupert Salsinger works in Bilby’s shoe store on Broadway, near Mindy’s restaurant, and Hymie stops in there on his way to the Belmont race track early one afternoon, and buys the shoes.
Now Hymie is in pretty much of a hurry, as he knows of a right good thing in the first race at Belmont, so he tells Rupert Salsinger to kindly get out a pair of shoes, size 8D, and make haste about it.
Well, Rupert Salsinger takes one look at Hymie’s dogs, and he can see that Hymie can no more wear an 8D than he can fly, for Hymie has large, flat Bronx feet that can cover as much ground as there is between second and third when Hymie is just standing still.
So Rupert Salsinger gets out a measuring gadget, and puts one of Hymie’s feet in it, and tells Hymie that what he really needs is a l0EE, but Hymie immediately becomes very indignant, as he is extremely sensitive about the size of his feet, and he says he knows what size shoes he wears, and if Rupert Salsinger does not care to give him what he wants, he will take his custom elsewhere.
Now if old man Bilby is personally present, he will know enough to give Hymie his usual 10EE’s, and tell him they are 8D’s and Hymie will go on about his business, and think nothing more of it, but Rupert Salsinger is new to Bilby’s store, and furthermore he is a very honest and conscientious young character, and does not believe in skullduggery even about a pair of shoes, so he outs with some 8D’s and shows Hymie the mark in them, and Hymie puts them on, and says they are just the right size, and away he goes to the race track.
Well, the good thing in the first race blows, and right away Hymie commences to notice that his shoes seem full of feet, for there is nothing like a loser in the first race for making a guy notice his feet. Then Hymie gets five more losers in a row, so by the time the races are over his feet are almost killing him.
In fact, anybody will tell you that six losers in a row will make a guy’s feet hurt, even if he is barefooted, so a pair of tight shoes on such an occasion is practically murder in the first degree. Hymie has to take his shoes off in the train going back to New York to rest his feet, and one and all are most sympathetic with him, because they realize how keenly he must be suffering between the tight shoes and the six losers, and especially the six losers.
Well, Hymie Minsk goes right up to Bilby’s shoe store in the tight shoes, and what does he do but use these shoes to kick Rupert Salsinger in the pants all the way from Bilby’s store to Fifty-third Street, three blocks away, and the chances are he will be kicking Rupert Salsinger to this very day, if one foot does not finally connect with a book by Karl Marx, which Rupert is wearing in his hip pocket, and which almost breaks Hyrnie’s big toe, it being a very solid book.
But everybody agrees that Hymie does the right thing, especially when Hymie explains that the shoes hurt his feet so at the track that he does not really know what he is doing after the first race, and his pain causes him to bet on horses that he has no right to consider in any manner, shape or form whatever. In fact, everybody agrees that Rupert is a very dangerous character to have on Broadway, as he may take to selling tight shoes to horse players generally, and thus cause untold suffering among them, besides upsetting their figures on the horse races.
Furthermore, when Rupert Sal singer gets back to the shoe store old man Bilby pays him off and fires him, and also personally takes a few kicks at Rupert Salsinger’s pants himself as Rupert is going out the door, and old man Bilby’s aim is much better than Hyrnie’s, and he does not hit the volume of Karl Marx even once.
So there Rupert Salsinger is without a position, and with only half a week’s wages consisting of about seven slugs in his pocket, and as it is the first position Rupert has since the depression sets in, he is downcast no little, especially as he is hoping to save enough money in this position to justify him in asking Miss Minnie Schultz, who lives over on Tenth Avenue, to be his bride.
He is in love with Miss Minnie Schultz for several years, and expects to one day ask her to marry him, but Rupert Salsinger is such a conscientious young character that he will never think of making such a request until he becomes a provider, and anyway, Miss Minnie Schultz’s papa, who keeps a delicatessen store, by no means approves of Rupert Salsinger, because Rupert is always so thoughtful and studious, and also always so much out of a position.
In fact, Miss Minnie Schultz’s papa considers Rupert nothing but a bum, and he wishes his daughter to marry an entirely different character by the name of Gus Schmelk, who runs a delicatessen store right across the street from the Schultz store, and is giving Miss Minnie Schultz’s papa such tough competition that her papa figures it will be a nice business deal for her to marry Gus Schmelk and combine the stores.
But Miss Minnie Schultz is rather fond of Rupert Salsinger, as he is tall and thin, and has thick black hair, and a very serious expression, and wears spectacles, and is really much better than a raw hand when it comes to making love, even though he is so conservative about speaking of marriage.
Well, anyway, Rupert Salsinger goes up Broadway feeling very sad and blue, and finally he stops in the Bridle Grill, and steps up to the bar and calls for a glass of beer, and while he is drinking this beer, he gets to thinking what a cruel world it is to be sure, so he calls for another beer, with a little rye whisky on the side, for while Rupert Salsinger is by no means a rumdum, he feels that this is an occasion that calls for a few drams, anyway.
It is now along about eight bells in the evening, and not many cash customers are in the Bridle Grill, when all of a sudden in comes a tall, good-looking young fellow in evening clothes, including a high hat, and an opera cape, lined with white silk, and who is this young fellow but Calvin Colby, who is known far and wide as a great pain in the neck to his loving parents.
He is also known as a character who likes to get around and, in fact, Calvin Colby’s only occupation is getting around. His people are as rich as mud, and to tell the truth, richer, and what is more they are in the Social Register and, in fact, Calvin Colby is in the Social Register himself until the publishers come upon his name one day and see that it is a typographical error.
He is often in the newspapers, because it is really remarkable how Calvin Colby’s automobiles can spill dolls up against telegraph poles along the Boston Post Road, when he happens to strike these obstacles, and the dolls are always suing Calvin Colby for breaking their legs, or spoiling their complexions. It finally gets so there is talk of taking Calvin’s driving licence away from him before he shatters all the telegraph poles along the Boston Post Road.
He is without doubt strictly a Hoorah Henry, and he is generally figured as nothing but a lob as far as ever doing anything useful in this world is concerned, although everybody admits that he has a nice disposition, and is as good a right guard as ever comes out of Yale.
Calvin Colby is undoubtedly slightly mulled when he enters the Bridle Grill, and he steps up to the bar alongside Rupert Salsinger, and calls for an old-fashioned cocktail, and after he inhales this, he calls for three more of the same, one right after the other, and about this time, Rupert Salsinger, who is standing there thinking of the wrongs he suffers at the feet of Hymie Minsk and old man Bilby, lets out a terrible sigh, as follows:
Well, at this, Calvin Colby gazes at Rupert Salsinger in surprise, as Rupert’s sigh sounds very much like wind escaping from a punctured tire, and Calvin speaks to Rupert like this:
“What is eating you?” Calvin says. “Have a drink.” he says.
Naturally, Rupert has a drink, because it is very seldom in his life that he gets a drink for nothing, and this time he calls for an old-fashioned, too, as he is tired of beer and rye whisky, and moreover he figures it will be polite to drink the same as his host, and then he says to Calvin Colby:
“Comrade,” he says, “this is an awful world. There is no justice.”
“Well,” Calvin Colby says, “I never give the matter much thought, because personally I never have any occasion for justice. But,” he says, “you may be right. Have a drink.”
So they have this second drink, and also quite a few other drinks, and presently they are as friendly as a new bride and groom, and Rupert Sal singer tells Calvin Colby about the shoes, and Hymie Minsk, and old man Bilby, and also about Miss Minnie Schultz, and when he gets to Miss Minnie Schultz, he sheds tears all over Calvin Colby’s white pique vest.
Well, Calvin Colby is practically petrified with horror to think of what Rupert Salsinger suffers, although he does not consider Rupert’s tears over Miss Minnie Schultz quite manly, as Calvin Colby personally never experiences love, and regards dolls as only plaintiffs, but he admits that his soul seethes with indignation at the idea of Miss Minnie Schultz’s papa wishing to force her into a marriage with Gus Schmelk. In fact, Calvin Colby says that while he does not know this Gus Schmelk he is willing to make a little wager that he is nothing but a bounder and a cad.
Now it seems that Calvin Colby is all dressed up to go somewhere, but by this time he cannot remember where, and he suggests to Rupert Salsinger that they take a little stroll and see if the old fashioneds are up to standard in other parts of the city.
So they leave the Bridle Grill, and the bartender is not sorry to see them depart, at that, as they are making him work too hard, and they walk north on Broadway, arm-in-arm, stopping here and there to have a few drinks, and all the time Calvin Colby is talking about the great injustice that has been done Rupert Sal singer.
By and by they come to Columbus Circle, and in Columbus Circle there are many little groups of citizens, and each group is gathered around a guy standing on a box making a speech, so there are maybe ten different groups, and ten different guys making speeches, although each guy is only talking to his own group, but they are all talking at once, so they make quite a racket.
Now of course all this is a very familiar scene to anybody that ever goes through Columbus Circle in the evening, but it seems that Calvin Colby never before witnesses such a thing, as he does not visit Columbus Circle since infancy, and he is greatly astonished at what he beholds, and asks Rupert Salsinger what is the meaning of this.
Well, it seems that Rupert Salsinger knows all about the matter, and in fact it seems that Rupert Salsinger often takes part in these meetings personally when he has nothing else to do, and he explains to Calvin Colby that each of the speakers has a message of some kind to deliver to the people about one thing and another, and they are delivering them in Columbus Circle because it is a sort of public forum, and the coppers are not permitted to bother anybody with a message here, although they may run them bow-legged if they try to deliver any message anywhere else.
Now Calvin Colby becomes greatly interested in this proposition and he listens in here and there on different groups, but he is unable to make heads or tails of what the speakers are talking about, except that most of them are weighing in the sacks on the rich, and on the government, and on this and that, and finally Calvin Colby says to Rupert Salsinger, like this:
“Why,” Calvin Colby says, “the trouble with these parties is they are all over the layout. They are scattering their play too much. What we need here is a little centralization of ideas. Get me a box,” Calvin says.
Well, all the boxes around and about are occupied, but by this time, what with the beer, and the old-fashioneds, and all, Rupert Salsinger is a character of great determination, and he goes up to one speaker and yanks the box right from under him without saying aye, yes, or no, and this action leaves the speaker flat in Columbus Circle, but it seems that the speaker is about all out of ideas, anyway, and cannot think of anything more to say, so he does not mind losing his box as much as you might expect.
Then Rupert takes the box and plants it right in the center of all the groups, and Calvin Colby gets up on the box and begins letting out loud yells to attract attention. Naturally Calvin Colby can out-yell any of the speakers in Columbus Circle, because he is fresh, and furthermore he is full of old-fashioneds, and it is well known that there is nothing like old-fashioneds to help anybody yell.
Well, everyone in the Circle turns at once to see what the yelling is about and when they see a party in evening clothes, with a high hat and a white-lined opera cape on, naturally they are somewhat impressed, and they leave all the other speakers and gather around Calvin Colby.
Some think at first that maybe he is selling a patent medicine, or ballyhooing a dance hall with forty hostesses, and they expect to see his shirt bosom light up with an ad on it, as they cannot figure any other reason for anybody in such a make-up to be in Columbus Circle, but when Calvin Colby finally gets a big crowd around him, including not only the citizens who are listening to the other speakers, but many characters, male and female, who happen to be passing along the sidewalks and hear his yells, he speaks to them as follows, and to wit:
“Comrades,” Calvin Colby says, “when I think of all the injustice in this world it almost makes me bust right out crying. My heart bleeds. I am very sad. All humanity cries out “Justice, justice,” but what is the answer; Nothing, comrades,” he says.
Now at this point somebody back in the crowd pegs an egg at Calvin Colby’s high hat, and cries out in a loud, coarse voice:
“Look at the daffydill.”
The egg just misses Calvin Colby’s hat and continues on and strikes a member of the Communist party on the chin, and the member of the Communist party is slightly irritated, as he says he can use the egg for breakfast if it does not break when it meets his chin.
Well, naturally this interruption annoys Calvin Colby no little, and he stops a moment and tries to see who it is that is guilty of such uncouth conduct, and then he says:
“Comrades,” he says, “if the jerk who just hurls the aforesaid remark and egg at me will kindly hold still until I reach him, I will guarantee to yank one of his arms off and beat his brains out with it.”
At this the crowd cheers Calvin Colby quite some, and there are cries for him to continue his address, although Calvin Colby has half a notion to stop right there and go to work on the party who pegs the egg, because such a course promises more fun for Calvin Colby than making a speech, but finally he resumes as follows:
“No, comrades,” he says, “there is no justice, and to prove it I wish to present to you my friend, my pal, my comrade, Mr. Rupert Salsinger, who will now address you.”
So he makes room for Rupert Salsinger on the box, and Rupert puts on a really wonderful speech, because it seems that Rupert is not only a natural-born speaker, but he knows extracts from great speeches by such characters as Father Coughlin, Patrick Henry, F. D. Roosevelt, Abraham Lincoln and Robert Ingersoll, and he drops in these extracts here and there as he goes along, and they are very effective.
He tells of his own personal experiences with representatives of the capitalistic system, and while he does not mention them by name, he undoubtedly means Hymie Minsk and old man Bilby, and Rupert’s remarks about his own suffering touch every heart, and there are cries of pity and rage from all parts of the crowd, although Rupert himself afterward admits that maybe he does give Hymie and old man Bilby a shade the worst of it in his statements.
By the time Rupert finishes, his audience is greatly excited, and Calvin Colby is sitting on the edge of the box half asleep, so Rupert wakes him up to make some more remarks, but now Calvin Colby is slightly bored by his surroundings and wishes to get away from this spot, and all he can think of to say is as follows:
“Comrades,” he says, “let us stop talking, and go into action. The cry,” he says, “is forward!”
And with this, Calvin Colby starts off down Broadway, walking in the middle of the street, and all he is thinking of at the moment is to remove himself from Columbus Circle, and Rupert starts off with him, but all the other citizens present fall in behind them, so there they are leading a big march. There are only a few hundred citizens behind them when they start, but before they go two blocks this number increases to several thousand, because naturally the spectacle of a character in a high hat and a white-lined opera cape leading a procession down Broadway is most intriguing to one and all who behold same, and everybody wishes to find out what it means.
Of course Calvin and Rupert Salsinger have no idea where they are going when they start off, and when they arrive at Fiftieth and Broadway, Calvin Colby is getting sick and tired of walking, and wishes one of his cars will come along and pick him up, and furthermore he is yearning for a few old-fashioned cocktails.
In fact, Calvin Colby is getting ready to cop a sneak on his followers, when Rupert Sal singer points out old man Bilby’s shoe store, which of course is closed at this hour, as the seat of much of the injustice to him, and the member of the Communist party, who is in the procession, still thinking about the loss of the egg, hears what Rupert says, and steps over on the sidewalk and kicks in old man Bilby’s door.
Well, in five minutes old man Bilby’s shoe store is a total wreck, and everybody has a pair of shoes, including many characters who are never in the procession at all, and are by no means entitled to same. There is great confusion, and some of the shoes get all mixed up in this confusion, and in fact for weeks afterward parties are around Broadway with odd shoes trying to match them up.
Naturally the commotion brings out a number of officers of the law, who go around inquiring what is coming off here, and when they are unable to learn what is coming off, they start slapping citizens right and left with their nightsticks, and the result is a great deal of new business for the near-by hospitals.
But this part of it no longer interests Calvin Colby and Rupert Salsinger, who retire from the scene and go elsewhere, but not before Rupert Salsinger gets into the store and picks out a pair of shoes for himself and carries them off under his arm.
Well, by and by the reporters from the newspapers arrive on the scene and start getting interviews here and there about the goings on, and it seems from the stories in the papers the next morning that the reporters learn that it is all the upshot of a great new movement for social justice organized by Rupert Salsinger, a famous young student of such matters, and supported by Calvin Colby, the well-known young multimillionaire thinker, although of course it is a big surprise to Rupert Salsinger to learn that he is famous, and a much bigger surprise to Calvin Colby to hear that he is a thinker, and in fact this sounds like libel to Calvin Colby, when he gets around to reading it.
But it seems that what the newspapers see in this movement for social justice led by such young characters as Rupert Salsinger and Calvin Colby, more than anything else, is a revolution of youth against the old order, and in fact the papers make it a matter of great importance and by eight a.m. the next morning the reporters and photographers from the afternoon bladders are almost breaking down the doors of Calvin Colby’s apartment on Park Avenue to interview him and take his picture.
Naturally, Calvin Colby is still in the hay at such an hour, and he does not wake up until 1.30 p.m. and by this time he does not remember about the movement for social justice, and in fact he will be greatly nonplussed to find himself sleeping with such a character as Rupert Salsinger if it is not for the fact that Calvin Colby is accustomed to finding himself sleeping with all kinds of characters.
He wakes Rupert Salsinger up and asks him what about a little of the hair of the dog that bites them, but Rupert is very ill, and all he can bear is a little straight Scotch, and then Rupert commences to recall vaguely some of the events of the night before, when Calvin Colby’s butler brings in the morning papers, and tells them that fifty reporters and photographers are still waiting outside to see Calvin Colby, and that they are getting fretful, and that moreover Calvin Colby’s loving parents are calling up every few minutes, wishing to know what he means by becoming a thinker.
Then Calvin Colby commences remembering a few things himself, and he worries no little about how he is going to explain to his loving parents. Naturally he cannot face reporters and photographers while he is in such a state of mind, so he gives Rupert Salsinger a little more straight Scotch, and lends Rupert a dressing-gown, and sends him out to see the reporters and photographers.
Well, Rupert Salsinger gives them quite an interview, and in fact he repeats as much of the speech he makes in Columbus Circle as he can remember, including the extracts from the speeches of F. D. Roosevelt and Abraham Lincoln, and he tells them that he and Calvin Colby will continue this movement for social justice until the bad place freezes over, if necessary, because by now the straight Scotch is working very good in Rupert Salsinger, and he is by no means at any loss for words.
Now Rupert Salsinger is a very serious-minded young character and by no means a chump, and he sees that all this publicity may lead somewhere, so what does he do in the next few days but organize the American Amalgamation for Social Justice, with himself as president, and Calvin Colby as treasurer, and Calvin Colby’s loving parents are so proud of their son becoming prominent at something else besides spilling dolls out of his automobiles that they donate five thousand slugs to the cause.
Furthermore, they settle with old man Bilby for the wrecking of his shoe store, and the loss of his shoes, including the pair taken away by Rupert Salsinger, although of course nobody but Rupert knows about these shoes, and he does not mention the matter publicly.
But Calvin Colby is getting sick and tired of all this business, because the reporters are always after him for interviews, and it is commencing to interfere with his occupation of getting around, especially as Rupert Salsinger is always after him, too, telling him to do this and that, and one thing and another, and Calvin Colby is delighted when Rupert announces himself as a candidate for Congress on the Social Justice ticket, because Calvin figures that with Rupert in Congress he will not bother him any more, and he can resume getting around just where he leaves off.
Well, it seems that about the time Rupert Salsinger makes his announcement, Tammany Hall is greatly dissatisfied with the character who already represents it in Congress from Rupert’s district, because he often votes in a manner that is by no means to the interest of this splendid organization, so somebody from the Hall has a talk with Rupert Salsinger, and reports that he is an honest, clean, upright young character, who is by no means sore at Tammany, or at least not so sore that he can never get over it.
Then it seems that Tammany quietly passes the word around Rupert Salsinger’s district to vote for this honest, clean, upright young character, and such a word means that Rupert is 1 to 20 in the betting to be elected, even on a platform for social justice, and about this time Rupert begins thinking more than somewhat of Miss Minnie Schultz, and of how much he loves her.
Rupert is so busy that it is quite a spell since he finds leisure to get over to Tenth Avenue to see Miss Minnie Schultz and he requests Calvin Colby, as a personal favor, to step over and explain to Miss Minnie Schultz why he cannot appear before her in person.
So Calvin Colby goes over to Tenth Avenue and locates Miss Minnie Schultz at her papa’s delicatessen store, and explains to her about Rupert, and Calvin Colby is greatly surprised to notice that Miss Minnie Schultz is very beautiful.
He notices that she has taffy-colored hair, and big blue eyes, and a lovely speaking voice, and hands like the ears of little tiny white rabbits, and feet like little tiny mice, and a complexion like Grade-A milk, and a shape that is wonderful to behold, and great intelligence, and charm, and in fact Miss Minnie Schultz is the first doll Calvin Colby ever beholds that he does not figure a plaintiff.
He also notices a character skulking in the background of Miss Minnie Schultz whose name seems to be Gus Schmelk, and whose features seem to be very familiar to Calvin Colby, and also very distasteful, especially as this Gus Schmelk seems to be on very friendly terms with Miss Minnie Schultz, and in fact in the presence of Calvin Colby he gives her a pat on the pistol pocket, causing Calvin Colby’s blood to boil out of loyalty to Rupert Salsinger.
However, Miss Minnie Schultz seems quite interested in hearing about Rupert, and says she hopes and trusts he is enjoying the best of health, and that he will come to see her soon, though she realizes from what she reads in the papers how busy he is, and she also says that she is personally as well and as happy as can be expected, and that business in her papa’s delicatessen store is picking up.
Well, Calvin Colby reports much of the above situation to Rupert Salsinger, especially about Gus Schmelk, and tells Rupert that Gus impresses him as a low, degraded character, who will steal another’s doll without any compunction of conscience whatever, and in fact Calvin Colby says to Rupert like this:
“If I am you; he says, “I will dispense with this social justice for a while and look after my interests with Miss Minnie Schultz. It is seldom in my career,” Calvin says, “that I see such a shape as Miss Minnie Schultz possesses.”
Well, Rupert Salsinger sighs, and says he realizes that Calvin Colby’s statements are only too true, especially about Gus Schmelk, and also about Miss Minnie Schultz’s shape, but Rupert says he feels that social justice must come first with him above all else, even Miss Minnie Schultz’s shape.
Then Rupert says to Calvin Colby:
“Comrade,” he says, “I realize that you loathe and despise all characters of a female nature, but,” he says, “I am going to ask you to make a great sacrifice for me. I will deem it an act of fealty to our cause, and of personal friendship,” Rupert says, “if you will occasionally go over to Tenth Avenue and do anything you can to protect me in that direction from vipers in my bosom and snakes in the grass.”
There are tears in Rupert’s eyes as he makes this request, and naturally Calvin Colby promises to assist him in this emergency, and presently between looking after Rupert’s interests with Miss Minnie Schultz and signing checks as treasurer of the American Amalgamation for Social Justice for Rupert’s campaign, Calvin Colby finds little time for his occupation of getting around.
Now in the meantime, in spite of being so busy, Rupert Salsinger finds himself brooding no little over Miss Minnie Schultz and Gus Schmelk, and finally one day he decides that he can spare a couple of hours to go over to Tenth Avenue and see Miss Minnie Schultz and present his proposal of marriage to her in person, so he calls her up and requests an interview with her, and it seems she can tell by the tone of his voice what is on his chest, and she says all right but to be sure and get over in an hour.
So Rupert Salsinger puts everything else aside, and dresses himself up in a new suit of clothes which he purchases from the treasury of the Amalgamated Association for Social Justice as part of his campaign expenses, and puts on the new shoes that he secures at old man Bilby’s shoe store, and starts out from Calvin Colby’s residence on Park Avenue, where Rupert is living ever since the first night he lands there.
Well, Rupert is passing the corner of Fiftieth Street and Broadway when who does he see standing in front of Mindy’s restaurant but Hymie Minsk, the horse player, and then Rupert suddenly remembers that while social justice is going forward very nicely in most quarters that he never really gets justice from Hymie Minsk.
So Rupert Salsinger steps up behind Hymie, and takes him by the nape of the neck and kicks Hymie’s pants up the street to Fifty-third, using his new shoes for this purpose, and, what is more, doing a much better job on Hymie than Hymie does on him, as Hymie has no books whatsoever in his hip pocket to slow up Rupert’s kicking.
When he finally lets Hymie go with a final kick in the pants, Rupert starts across Fifty-third Street towards Tenth Avenue, but after he goes a couple of blocks he notices that his feet are giving him great pain, and he realizes that his new shoes must be too tight for him, and what with his walking, and the extra exertion of kicking Hymie Minsk’s pants, these shoes are commencing to pinch his puppies quite some.
The pain finally becomes so great that Rupert sits down on the steps of a school house and takes off his shoes to let his feet stop aching, and he sits there for anyway fifteen minutes, when it occurs to him that the hour Miss Minnie Schultz mentions is up, so he tries to put the shoes back on his feet again, but it seems his feet swell up to such an extent that the shoes will not go on again, so Rupert resumes his journey in his stocking feet, but carrying the shoes in his hand.
When he arrives in sight of the delicatessen store conducted by Miss Minnie Schultz’s papa, he sees Miss Minnie Schultz standing on the sidewalk out in front, and he also sees Gus Schmelk walking across the street, and disappearing inside his own store, which is a scene that is most odious to Rupert Salsinger although he does not see a large automobile with Calvin Colby in it just going around the corner.
Well, Rupert Salsinger hastens forward with a glad smile, and he tips his hat with the hand which is not carrying the shoes, and he says to Miss Minnie Schultz like this:
“Minnie,” Rupert says, “I love you with all my heart and soul, and now that my future is open before me, bright and shining, I wish you to be my wife, and never mind what your papa says to the contrary about Gus Schmelk. He is strictly a wrong gee. I mean Gus Schmelk,” Rupert says. “Let us be married at once, and my friend, my pal, my comrade, Mr. Calvin Colby, will stand up with us as my best man.”
“Rupert,” Miss Minnie Schultz says, “if you are here fifteen minutes ago, I will undoubtedly accept you. When you call me on the telephone and make an appointment for an interview with me, I say to myself, I wait all these years for Rupert to speak, and now I will give him just one more hour of my life, and not one minute more, for another is requesting my hand. On the expiration of the hour to the dot,” Miss Minnie Schultz says, “I pledge myself to him. Rupert,” she says, “as far as I am personally concerned you are a goner.”
Naturally, Rupert Salsinger is greatly vexed to hear this news, and in fact he is so vexed that he takes the tight shoes that are the cause of his tardiness, and throws them as far as he can, and as straight as he can, which is plumb across the street and through the plate-glass window of Gus Schmelk’s delicatessen store.
The next thing anybody knows, Rupert Salsinger is hastening up Tenth Avenue in his stocking feet, and Gus Schmelk is right behind him calling him names of such a crude nature that Miss Minnie Schultz retires to her papa’s delicatessen store, although this does not prevent her from seeing a character leave Gus Schmelk’s store with Rupert’s tight shoes under his arm, and it does not prevent her from recognizing this character as the member of the Communist parry.
Well, I see in the papers that Congressman Rupert Salsinger is going to marry some society doll in Washington, who is a widow with plenty of money left to her by her late husband, but I do not believe Rupert will be any happier than Calvin Colby, who is very busy at this time opening the twenty-second branch of the Schultz-Colby Delicatessen Stores, Inc., and who is greatly pleased over being married to Miss Minnie Schultz.
But although Gus Schmelk’s store is in the new combination, and Gus himself is a member of the Board of Directors of same, Calvin Colby never really forgets that Gus Schmelk is the party who almost ruins his high hat with an egg in Columbus Circle the night Calvin makes the public address.